Framing Services in Glenside, Adelaide’s Eastern Suburbs

Conservation framing uses special techniques and materials to protect framed items from environmental damage. This method ensures the longevity and preservation of artwork by using acid-free materials and UV-protective glazing.

Yes. The Picture Framers Guild of Australia recommends two levels: Category 4 “Conservation” and Category 5 “Museum,” offering protection for 25 years or more. Visit the PFGA website for more information.

We use high-quality Tru Vue glass or acrylic, Crescent cotton matboards and acid-free foam core backing for superior protection. These materials prevent harmful UV rays and other environmental factors from damaging your framed piece.

The focus is on reversible mounting methods and inert (stable) materials that won't damage the artwork. This includes:

• Archival hinging for paper artworks, allowing for expansion or contraction due to environmental conditions.
• Mylar encapsulation or support for framed items where hinging isn't suitable.
• Lace mounting or hand stitching for textiles like embroidery, cross-stitch and garments. We never use glue or adhesives on textiles.

Yes, for specialised services like restoration and some repairs, we collaborate with leading experts in the region:

• Canvas restoration & repair: Chris Payne (AICCM member) - The Art Conservation Studio - (08) 8566-2952
• Textile restoration & repair: Mary Jose (Fabric of Life) - 0404 871 707
• Ornate mirror cutting & bevelling: Ian McKenzie (Crane Glass) - (08) 8379 2006
• Gilding & ornate frame restoration: Bernard Goble (Oxford Antiques) - (08) 8272-7501
• Paper conservation & repair: David Button - (08) 8390-1754

Absolutely. We follow strict handling and storage protocols, with full insurance coverage and advanced security measures in place to protect your valuable items.

For more information or to discuss your framing needs, call or email us today.